I absolutely love the cross stitch company Prairie Schooler and the designs by Pam Burke. I find the designs super fun and timeless. I stitched two of the Fairie patterns originally released in 1995 and 1996. I combined them both on a scrap piece of light blue even weave fabric that I found at a thrift shop. I decided to use one strand of Sulky 12 weight cotton to stitch both fairies. It got theCrossroads palette set* and made a color conversion. I used this palette for both fairies, but my color conversion only mentions one fairy.
Once both pieces were stitched together, I went in search of a fun frame. The thrift store gods blessed me with a gorgeous black frame. I used some of charts' motifs to stitch more flowers in order fill out the fabric so it would fit nicely into the frame. I love the results!
This piece is asked about the most on my Flosstube channel, and I hope my frugal finishing, sustainable stitching (thrifted even weave fabric and frame), and classic cross stitch charts inspires you to create your own fairy piece. Oh and I almost forgot, there are two other fairies! I am currently on the lookout for the Fairy on the snail. So cute!
Thank you and happy stitching!
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This was a week of fully finishing cross stitch projects. I did, however, stop to smell the roses (and sunflowers and peaches...). You can watch my new Flosstube episode here.
I am thrilled with "Autumn Dream" and how it turned out in the 11 inch square frame. I removed the glass from the frame and cut a piece of foam core board approximately 10.9 inches square using a utility box cutter knife. The frame I purchased can be found here. It came in several colors, but I chose the "carbonized" wood color. I stitched my piece on a 32 count toasted almond linen and I feel like it turned out great in this frame.
“Patriotic ABCs” by Barbara Ana Designs can be found in the summer 2020 issue of Punch Needle and Primitive Stitcher magazine. I used all of the called for DMC threads. It is stitched on 32 count natural linen. After finishing the stitching, I ironed the piece. Next I used pins, a ruler, and patience to carefully cut the linen to give the piece a three inch margin on all sides. I decided that a thrift store frame I originally got for framing Blackbird Designs “Blessings be Thine” sampler would be perfect to hold this prim eagle sampler.
I feel very overwhelmed and grateful to receive this beautifully stitched bookmark from a stitching friend. Look at that variegated thread in the blackwork! I love that she stitched my motto, "I matter. My Stitching Matters." Thank you so much Vonda for such a beautiful piece. I will treasure it! To my fellow readers of this blog, remember that YOU MATTER and that YOUR STITCHING MATTERS.
“Remember Me” by Birds of a Feather is complete. I am very excited to have this project completed and framed! I Rit dyed the 14 count Aida fabric. The pattern is stitched using a combination of Sulky 12 weight cotton petites thread and the new Sulky 12 weight Filaine acrylic thread. The witch is stitched in cotton. The houses and the cat are stitched in Filaine. I love the coverage of the acrylic! I am excited to acquire more colors and to work on reproducing a 19th century wool work sampler with acrylic thread.
The frame is one that I found at a thrift store. I removed the glass and used the existing mat board. I laced the piece to the mat board. I used a chenille needle and a single strand of Filaine to lace the project. I know several needlework finishers use upholstery thread for lacing their projects. I have had a lot of success with using 12 weight cotton thread and now I am happy to report that the 12 weight acrylic thread works too.
Thanks to my Flosstube friends last year for helping me to identify one of my Save the Stitches pieces. I found this autumn farm landscape scene at a used bookstore. I took it out of the frame, cleaned it, and then set it aside for more than a year trying to figure out how to fully finish it. Finally I decided to display it. It was already clean but pretty wrinkled. I pressed it with a hot dry iron, and then attached it with two sided stitchery tape to an acid-free mat board. I used my rare earth magnets and E600 glue to attach it to a thrifted easel. The pattern is the autumn scene from the 1990 book “Sloane's Four Seasons” designs by John Sloane from the Something Special/Candamar company. It was stitched on 18 count cream white Aida. I am so happy I found this finished stitch. It looks like you can find a used copy of the chart on ebay.
While reading this fun book to my kiddos, I remembered there are a few penguins I'd like to stitch from the back issues of Mary Hickmott's New Stitches magazine. Again, I have found some of the back issues available on eBay here. It is fun to read about Antartica while thinking of whales, penguins, and snow to stitch.
I am happy to report that I was able to venture out to a local farm for “pick your own” season. My family and I picked a ½ bushel of yellow peaches and one peck of tomatoes. It was quite an adventure. I had picked peaches back in California, but this was the first time for my children and husband to pick peaches. Fun fact, the clear plastic bag is a “1 U.S. Peck” size and measures 13.5 inches by 16.5 inches. Now I want to make a project bag and have “I love you a bushel and a peck” cross stitched on the front of it!
Goodies and Products Discussed
I started watching Flosstube on YouTube in 2017. One of the things that I love viewing is the "Tour de Wall" started by Pam and Steph of "Just Keep Stitchin." Every season they would film a segment showing the different finishes mounted behind them on the wall. As each season changes, another "tour de wall" would be showcased. In honor of my deep appreciation for their wall tour segment, I figured it was time to show you the pieces featured on my wall.
The Flosstube wall in my studio is ever-evolving. The change in seasons along with my new finishes that I have finally fully finished or "FFO'ed" account for the change in the look of the wall. The paintings are from the late 19th century and early 20th century. They were gifted to me. I love them so much. I feel like the frames and the florals pair nicely with my grandmillennial or maximalist aesthetic.
I hope you enjoy the slideshow of some of the pieces on my wall. The pugs love to hang out and help me to film my videos. I am in love with the "Let Equality Bloom" print by Brooke Fischer. It was originally printed for my homeschool classroom space, but I couldn't help but add it to my wall next to my Boo Bees Apiary piece. The center of the wall features Prairie Schooler Fairies stitched with Sulky 12 weight cotton thread. I used the Sulky Crossroads collection spool pack for my color conversion. I also have an accidental collection of needlepoint pillows that I love to keep in my studio. I love the them so much!
I hope you enjoyed my "Tour de Wall!"
Cross Stitch Goodies Featured
Amanda Mae is a modern cross stitch designer, artist, and quirky crafter. She loves to rescue abandoned needlework and believes in Saving the Stitches.