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This was a week of fully finishing cross stitch projects. I did, however, stop to smell the roses (and sunflowers and peaches...). You can watch my new Flosstube episode here.
I am thrilled with "Autumn Dream" and how it turned out in the 11 inch square frame. I removed the glass from the frame and cut a piece of foam core board approximately 10.9 inches square using a utility box cutter knife. The frame I purchased can be found here. It came in several colors, but I chose the "carbonized" wood color. I stitched my piece on a 32 count toasted almond linen and I feel like it turned out great in this frame.
“Patriotic ABCs” by Barbara Ana Designs can be found in the summer 2020 issue of Punch Needle and Primitive Stitcher magazine. I used all of the called for DMC threads. It is stitched on 32 count natural linen. After finishing the stitching, I ironed the piece. Next I used pins, a ruler, and patience to carefully cut the linen to give the piece a three inch margin on all sides. I decided that a thrift store frame I originally got for framing Blackbird Designs “Blessings be Thine” sampler would be perfect to hold this prim eagle sampler.
I feel very overwhelmed and grateful to receive this beautifully stitched bookmark from a stitching friend. Look at that variegated thread in the blackwork! I love that she stitched my motto, "I matter. My Stitching Matters." Thank you so much Vonda for such a beautiful piece. I will treasure it! To my fellow readers of this blog, remember that YOU MATTER and that YOUR STITCHING MATTERS.
“Remember Me” by Birds of a Feather is complete. I am very excited to have this project completed and framed! I Rit dyed the 14 count Aida fabric. The pattern is stitched using a combination of Sulky 12 weight cotton petites thread and the new Sulky 12 weight Filaine acrylic thread. The witch is stitched in cotton. The houses and the cat are stitched in Filaine. I love the coverage of the acrylic! I am excited to acquire more colors and to work on reproducing a 19th century wool work sampler with acrylic thread.
The frame is one that I found at a thrift store. I removed the glass and used the existing mat board. I laced the piece to the mat board. I used a chenille needle and a single strand of Filaine to lace the project. I know several needlework finishers use upholstery thread for lacing their projects. I have had a lot of success with using 12 weight cotton thread and now I am happy to report that the 12 weight acrylic thread works too.
Thanks to my Flosstube friends last year for helping me to identify one of my Save the Stitches pieces. I found this autumn farm landscape scene at a used bookstore. I took it out of the frame, cleaned it, and then set it aside for more than a year trying to figure out how to fully finish it. Finally I decided to display it. It was already clean but pretty wrinkled. I pressed it with a hot dry iron, and then attached it with two sided stitchery tape to an acid-free mat board. I used my rare earth magnets and E600 glue to attach it to a thrifted easel. The pattern is the autumn scene from the 1990 book “Sloane's Four Seasons” designs by John Sloane from the Something Special/Candamar company. It was stitched on 18 count cream white Aida. I am so happy I found this finished stitch. It looks like you can find a used copy of the chart on ebay.
While reading this fun book to my kiddos, I remembered there are a few penguins I'd like to stitch from the back issues of Mary Hickmott's New Stitches magazine. Again, I have found some of the back issues available on eBay here. It is fun to read about Antartica while thinking of whales, penguins, and snow to stitch.
I am happy to report that I was able to venture out to a local farm for “pick your own” season. My family and I picked a ½ bushel of yellow peaches and one peck of tomatoes. It was quite an adventure. I had picked peaches back in California, but this was the first time for my children and husband to pick peaches. Fun fact, the clear plastic bag is a “1 U.S. Peck” size and measures 13.5 inches by 16.5 inches. Now I want to make a project bag and have “I love you a bushel and a peck” cross stitched on the front of it!
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Amanda Mae is a modern cross stitch designer, artist, and quirky crafter. She loves to rescue abandoned needlework and believes in Saving the Stitches.